When Pavarotti died, I was in my living room drinking coffee and I choked on it. We knew it was a matter of hours, but the shock wore all of Italy down and caused havoc in my neighbourhood. I heard his name mentioned at the post office, at the market, in church, at work.
What Big Luciano has given to music, despite his tantrums and controversial lifestyle, is inestimable. And last night BBC decided to honour his memory by showing the Three Tenors' concert in Rome.
Needless to say that with Calaf's aria in Turandot, by now his trademark, he gave us a sheer heart attack and had us shedding tears in our spumante, doubtlessly topping all our Best of the Best charts (his throne had temporarily been threatened only by Di Stefano, because we're shamefully attracted to retro style glamour).
Was Pavarotti the voice of the century? The debate has just begun. But for us, who lived through those mourning days and wept with Mirella Freni, his is the ultimate earth-shattering experience.
Here's to you, Luciano, and to your echo.
Catarí', Catarí'...
pecché mm''e ddice sti pparole amare?!
Pecché mme parle e 'o core mme turmiente Catarí'?!
Nun te scurdá ca t'aggio dato 'o core, Catarí'...
Nun te scurdá...
Catarí'...
Catarí', che vène a dicere
stu pparlá ca mme dá spáseme?
Tu nun ce pienze a stu dulore mio?!
Tu nun ce pienze, tu nun te ne cure...
Core, core 'ngrato...
T'hê pigliato 'a vita mia!
Tutto è passato...
e nun ce pienze cchiù.
(lyrics of 'Core 'ngrato' Cardillo-Cordiferro)
